Vision: A Resource for Writers
Lazette Gifford, Editor

Guidelines for 
Holly Lisle's Vision



Issue #1: 01/01/01

Feature Articles
Making Histories
By J.S. Burke
Women and Childbearing 
in Fantasy

By Bryn Neuenschwander
Matching Your Money to Your World 
By Ron Brown
Capturing Time for the Muse
By Vicki McElfresh
In Praise of Praise:
A Second Look at Critiquing

By Lazette Gifford
Building a Better Beast
By Sarah Jane Elliott
State of the Horror Genre
By Ron Brown
Poetry and Everyday  Life
By Jennifer St. Clair Bush
Your Characters Are 
Not Puppets

By Anne M. Marble
Science Fiction: 
Are We Going Somewhere 

By Bob Billing
Stage & Screen: 
The Promise of Premise
By Robin Catesby
Suspense & Mystery:
The Motives of Villains 
and Heroes in Suspense Fiction
By Shane P. Carr
Young Adult & Children:
The Gulf
By Justin Stanchfield
Young Writer's Scene:
Five Practical Tips for Young Writers
By Beth Adele Long
Book Reviews
Web Site Reviews
How Critique Circles Work
By Jim Mills
Doggerel Contest Winner
News from Forward Motion

We will happily consider manuscripts from either unpublished or published writers – we prefer to be queried (all queries and manuscript submissions are handled by e-mail). We are interested in all facets of writing, from first- person experience articles to genre-specific how-to’s to informational articles about your area of specialization – whether it be history or science or nursing or long-distance running – and how and where your specialty can be used correctly by writers. Write something that will help other writers write better, and we’ll be interested in taking a look.

We are a non-paying market with a 100% volunteer staff. In return for your work, you get as many copies of the e-zine as you care to download, and our sincere thanks. Your work will make a nice tear-sheet to present when selling other work, but it doesn’t count as a professional market because we can’t afford to pay.

On the other hand, the e-zine is also free.

We use only non-exclusive serial rights; what this means is that you can sell your piece elsewhere before, during, or after you have placed it with us. We don’t mind if it runs simultaneously. However – and this is very important for you to keep in mind – if you place a piece with us that has not been published elsewhere, we will be using your First Serial Rights, which means they will not be available for sale elsewhere. Reprint rights are harder to sell. And back issues will be available from the site (though not from e-zine newsstands) for as long as I can keep them there, as a reference to new people coming into the site.

If you sell a piece elsewhere after we have accepted it but before we have printed it, and you need to have us pull it in order to be able to make your sale, please let us know immediately. We can pull a piece up to a few days before we go to press, but the longer you wait, the more difficult time we’ll have getting another piece copyedited and ready to fill the slot your piece occupied.

We strive to maintain professional standards – manuscripts must be professionally formatted, as free from spelling and grammatical errors as you can make them, and in what you perceive to be final draft form. We will not welcome massive rewrites of a piece after we have accepted it – when we accept it, we consider it pretty close to finished and will only request such edits as will finish it to our standards. If we feel that it need massive rewrites, we won’t accept it.

For feature articles, query Lazette Gifford. For genre- or area-specific articles, query the relevant editor. All e-mail addresses are in the masthead.

We look forward to hearing from you.

Holly Lisle and Lazette Gifford
Publishers, Vision

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